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Sheridan Cleland

filmmaker. autodidact. coffee drinker.
universe

The Conspiring Universe

“Do you have a day job?”
“Yeah, my multimedia company is my day job.”
“No, I mean, like, a real job?”
“That is a real job…”

I’ve had this conversation, or one similar, more than once since founding Gen11 Studios in 2011. It’s hard for people to fathom that it’s all I do: run my own multimedia company. Sometimes, it’s hard for me to fathom, too. Sometimes, I’m having so much fun that I forget all the hard work that got me to this point. Sometimes, I’m working so hard that I forget that I’m supposed to be having fun. And, sometimes, well, I just plain forget. Straight out, I will say that running your own company––any company––is not for the faint of heart, especially when you’re operating on a mostly freelance basis. Anyone who has ever worked freelance knows that when it rains it floods, but just as quickly the work, the contacts, the leads can dry up and disappear: businesses close, investors part ways, corporations dissolve. Even a contract with its seemingly mandatory force majeure clause is a guarantee that there is no guarantee. Worse still, sometimes, for any one of myriad reasons, you don’t get paid, and that––for the working freelancer and/or the young start-up––can be the most disheartening, devastating prospect of all. And yet, and yet … the work itself can be, and most generally is, wholly and extremely gratifying. To the artist, no matter profession or medium, creation is life: as long as we’re creating, we’re living. To the entrepreneur, no matter profession or medium, remuneration is longevity: as long as the cash flows, the business grows. So, how does an artist transition into being an entrepreneur––from amateur to professional––and how do they find balance on the tightrope between starving artist and successful business person? I have absolutely no idea, but I have a hunch––or six.

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shepard

Outfly Them

Lostness can be profoundly rejuvenating in a way – it’s a desperate time and full of despair and all that – but being really lost can start something that’s brand new. Now, there are different kinds of lostness – you can be lost and not know what street you’re on; you can be lost emotionally; you can be lost with other people; you can be lost in yourself. I think you continually turn around that circle – finding yourself lost and then getting relatively found. To me, writing is a way of bringing things back together a little bit. If I can at least write something, I start to feel that I’m gathering out of that lostness something that has some kind of structure and form and something that, one hopes, can be translated to others. I don’t know if you can ever get totally found…
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transience

Transience

Yesterday, I had my first sit-down meeting with my producer for Transience. This train is leaving the station… and it feels good.

Ashes

December 24, 2012, Christmas Eve: A family of four returns from a Christmas party to find their home in flames, the local fire department already battling the blaze. Eight months later, I stepped in to the house with my camera and captured the tragic beauty and majestic sadness of the memories and life they left behind.

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